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datatime: 2022-12-02 21:57:03 Author:uakjTNvW

11. WHERE ARE YOU DYING TONIGHT?-John Dufresne

"I understand you're upset, but don't you see that the crime itself is a relief, you know, a release. It's a regeneration." Hector stood and stretched. He kissed his scorpion tattoo, flicked his tongue at Fay. He thought, Yes, this woman will understand. "Before I killed, I was far more horrible than I am now, because I was pregnant with evil, with the idea of murder. And now the evil is done, gone, vanished. The idea of violence, the threat of violence, is always more frightening than the act of violence. Don't you think?" Fay heard a chime, a tune that sounded like "Lara's Theme" from Dr. Zhivago.

"I understand you're upset, but don't you see that the crime itself is a relief, you know, a release. It's a regeneration." Hector stood and stretched. He kissed his scorpion tattoo, flicked his tongue at Fay. He thought, Yes, this woman will understand. "Before I killed, I was far more horrible than I am now, because I was pregnant with evil, with the idea of murder. And now the evil is done, gone, vanished. The idea of violence, the threat of violence, is always more frightening than the act of violence. Don't you think?" Fay heard a chime, a tune that sounded like "Lara's Theme" from Dr. Zhivago.

Jimmy Carter was basking in a marvelous run of good luck and nothing was going to get him down-not Rosalynn's volatile mood swings, not Robertico Robles's threats, not this dismal ceremony, and certainly not these elitist book reviewers. Jimmy Carter stood with the congregation. He bent his head, moved his lips, as if in prayer. Yesterday he'd autographed eight hundred hardcover copies of Always a Reckoning in two hours at Books and Books, beating the Anne Rice record by seventy-five books. Mitchell Kaplan told him so, and booksellers don't lie. And then last night he'd beaten Vanilla Ice by a pentameter in the poetry slam at Warehaus 57. Then this morning's News carried his photo on page one. There he was driving a nail into a crossbeam in the new Habitat house in Liberty City. He was in a zone right now, and he dared to dream of, to lust in his heart for, the unprecedented Double Nobel-Peace and Literature. He was possessed by the Muse, on fire with a Promethean mission to steal poetry from the academic gods and deliver it to the people. Soon poetry would be accessible to working men and women in paper-hat jobs, would be understood and loved by schoolchil-dren, illiterates, babies, cats. And in the limo on the way to the cemetery he'd begin his Sonnet Sequence for Democracy, that is, if he could get Governor Whatchamacallit to shut his trap for a minute.

The doorbell chimed. Big Joey G. stood, excused himself. "That would be our delivery: Lilia Sands and her faux Fidel."

"Speak for yourself."

Dash Brandon didn't like his seat. He belonged up there with Governor What's-his-face and Jimmy Carter. This sort of affront would never happen at Planet Hollywood or at the Raleigh, where just this morning he'd been seated by Johnnie Cochran's table. What was he in town for? Defending some fat tourist? Something about a riot. Or was it the Club Hell fiasco? Dash had given Johnnie a nod and a conspiratorial thumbs-up. He'd eavesdropped as Johnnie rehearsed his forensic couplets: "If the facts don't indicate, you must vindicate," "If the fault's with the police, you must release," and so on throughout the brunch. Dash thought about his own funeral. A full-couch, polished copper casket with taffeta lining, interior lighting, brass fittings. Or an Egyptian sarcophagus. Wouldn't that be a hoot? Show tunes and spontaneous eulogies. He cast his pallbearers: Arnold, Bruce, Sly, Wesley, Woody, the Boz. No, not the Boz. Denzel. Ziff Bodine nudged Dash, showed him the sketch he'd been doodling. Castro, it looked like, without the beard and toupee.

Britt said, "This is getting confusing."

On Desi Arnaz Boulevard: Big Joey G. leaned against the fireplace, his arm resting on the onyx mantel, in his hand a Vietnamese trophy skull. "We boiled the flesh off the VC skulls," he told Britt. "We made table ornaments, ashtrays, candy dishes, like this fellow here. I call him Tranh. Sometimes we carved their ulnas into letter openers, their fingers into whistles." He set the skull on the mantel, sat in the club chair across from Britt. "Happiest days of my life, the war."

"I understand you're upset, but don't you see that the crime itself is a relief, you know, a release. It's a regeneration." Hector stood and stretched. He kissed his scorpion tattoo, flicked his tongue at Fay. He thought, Yes, this woman will understand. "Before I killed, I was far more horrible than I am now, because I was pregnant with evil, with the idea of murder. And now the evil is done, gone, vanished. The idea of violence, the threat of violence, is always more frightening than the act of violence. Don't you think?" Fay heard a chime, a tune that sounded like "Lara's Theme" from Dr. Zhivago.

The doorbell chimed. Big Joey G. stood, excused himself. "That would be our delivery: Lilia Sands and her faux Fidel."

"And now you find yourself playing with skulls again," Britt said. "How funny."

Britt stretched her shackled legs on the couch. "Why just the head? Why not the whole body? Why not a corpsicle?"

"Fidel the flying squirrel, maybe?"

On Desi Arnaz Boulevard: Big Joey G. leaned against the fireplace, his arm resting on the onyx mantel, in his hand a Vietnamese trophy skull. "We boiled the flesh off the VC skulls," he told Britt. "We made table ornaments, ashtrays, candy dishes, like this fellow here. I call him Tranh. Sometimes we carved their ulnas into letter openers, their fingers into whistles." He set the skull on the mantel, sat in the club chair across from Britt. "Happiest days of my life, the war."

In Biscayne Bay: Call me Booger. Now it is November in my soul and twilight in my heart. Light is leaving me. And hope. It is this blackness above all that appalls me. The blackness to come, the blackness of this loathsome hull above me, and the inky black hearts of those Stygian scoundrels who took Ma from me, the dark-complexioned, cloven-footed desperado who fired the bullet into my snout and that pink and squabby venom spouter who steered this floating coffin. The pair of them are madness-maddened, blackness-blackened. They have all that is bloody on their minds. What lunatic vision is it that drives these blackguards? What furious passion? What unimaginable fear has freed them from the irons of civility? Loosed their bonds of horror? Nothing so simple as greed. Not that. We see differently, they and I. They have their colors, I my grays. But blackness we share. Blackness, agent of the mind, not the eye. We all see black alike. And it's blackness where our fates will meet. I have a plan.

"Speak for yourself."

Britt said, "This is getting confusing."

11. WHERE ARE YOU DYING TONIGHT?-John Dufresne

Dash Brandon didn't like his seat. He belonged up there with Governor What's-his-face and Jimmy Carter. This sort of affront would never happen at Planet Hollywood or at the Raleigh, where just this morning he'd been seated by Johnnie Cochran's table. What was he in town for? Defending some fat tourist? Something about a riot. Or was it the Club Hell fiasco? Dash had given Johnnie a nod and a conspiratorial thumbs-up. He'd eavesdropped as Johnnie rehearsed his forensic couplets: "If the facts don't indicate, you must vindicate," "If the fault's with the police, you must release," and so on throughout the brunch. Dash thought about his own funeral. A full-couch, polished copper casket with taffeta lining, interior lighting, brass fittings. Or an Egyptian sarcophagus. Wouldn't that be a hoot? Show tunes and spontaneous eulogies. He cast his pallbearers: Arnold, Bruce, Sly, Wesley, Woody, the Boz. No, not the Boz. Denzel. Ziff Bodine nudged Dash, showed him the sketch he'd been doodling. Castro, it looked like, without the beard and toupee.

On Desi Arnaz Boulevard: Big Joey G. leaned against the fireplace, his arm resting on the onyx mantel, in his hand a Vietnamese trophy skull. "We boiled the flesh off the VC skulls," he told Britt. "We made table ornaments, ashtrays, candy dishes, like this fellow here. I call him Tranh. Sometimes we carved their ulnas into letter openers, their fingers into whistles." He set the skull on the mantel, sat in the club chair across from Britt. "Happiest days of my life, the war."

Jake Lassiter hadn't heard a word the reverend said. He'd spent the morning at the library, trying to keep his mind off Fay and Britt and where they might be and in how many pieces. He looked up "manatee" in the dictionary and learned that it comes from the Cariban manati, which means breast, and for some reason he found the revelation distressing and depressing. He couldn't stop himself from thinking about that sea cow Booger, and about Fay and Britt. What kind of man beholds a hulking sausage-shaped, beaver-tailed, cleft-lipped creature and decides to name it for the female breast? A man too long at sea, perhaps. But still. Jake reminded himself where he was. He studied the Stations of the Cross on the stained-glass window. Veronica wipes the face of Jesus. He stared at the crucifix suspended above the altar, thought Jesus looked like the daring young man on the flying trapeze. Jake couldn't stop his obsessive thoughts: beaver, sausage, tail, lips, cleavage, breast. What was worse, he'd also read that a manatee's breasts were situated under the flippers, where appendage meets torso. Jake cursed himself for going to the library in the first place. It would never happen again. He turned to Janice Deal, his buddy John's ex, smiled, squeezed her hand. She smiled, returned her attention to the priest. Jake inhaled her vanilla scent. He tried not to think of breasts in her armpits.

Irwin Scheinblum wondered why the cover-up. Marion's death was no drowning, of course. You don't have to be a coroner to know that it takes days for a drowned body to bloat with gas and rise to the surface. No weeds or sand in the lungs. He'd read the autopsy report. Evidence of pete-chiae, tiny hemorrhages, dark spots on the mucous membrane, caused most likely by increased pressure in the head from strangling, or choking perhaps. Face and neck congested and dark red, bruises on the arms and legs, contusions on the face, a fractured hyoid bone and torn thyroid cartilage. So why did the medical examiner rule the death an accident? And why wasn't anyone upset? Why wasn't anyone talking, writing about this? Irwin was puzzled. Irwin needed several drinks.

At the Chapel of Our Lady of Perpetual Sorrow and Everlasting Anguish: Monsignor Armand Turgeon celebrated the funeral mass for his friend and patron Marion McAlister Williams. He praised her generous philanthropy, her unconventional but enthusiastic faith, her tenacious efforts to save the Everglades from the ravages of Big Sugar and the Corps of Engineers, to save the wildness that was Florida from the teeming masses breathing free, flushing waste into the bay, and paving the earth. Father Turgeon suggested that after death we return to what we were before birth-washed in the precious blood of the Lord and rocked in His mighty arms. He looked out at the assembled mourners, at the politicians, the curious, looked into the glassy eyes and disinterested faces of these waking dreamers who fend off their fears with distraction. He told them that our longing to survive is vanity only. Even God, he said, envies our mortality.

At the Chapel of Our Lady of Perpetual Sorrow and Everlasting Anguish: Monsignor Armand Turgeon celebrated the funeral mass for his friend and patron Marion McAlister Williams. He praised her generous philanthropy, her unconventional but enthusiastic faith, her tenacious efforts to save the Everglades from the ravages of Big Sugar and the Corps of Engineers, to save the wildness that was Florida from the teeming masses breathing free, flushing waste into the bay, and paving the earth. Father Turgeon suggested that after death we return to what we were before birth-washed in the precious blood of the Lord and rocked in His mighty arms. He looked out at the assembled mourners, at the politicians, the curious, looked into the glassy eyes and disinterested faces of these waking dreamers who fend off their fears with distraction. He told them that our longing to survive is vanity only. Even God, he said, envies our mortality.

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